• < 1 / 54 >

    Exhibition view of “Hail to The New Flesh”,
    White Crypt, London, may/june 2017

  • < 2 / 54 >

    Exhibition view of “Hail to The New Flesh”,
    White Crypt, London, may/june 2017

  • < 3 / 54 >

    Exhibition view of “Hail to The New Flesh”,
    White Crypt, London, may/june 2017

  • < 4 / 54 >

    Exhibition view of “Hail to The New Flesh”,
    White Crypt, London, may/june 2017

  • < 5 / 54 >

    Exhibition view of “The Way Objects Go”,
    Podroom gallery, Cultural Center Belgrade, july 2017

  • < 6 / 54 >

    Exhibition view of “The Way Objects Go”,
    Podroom gallery, Cultural Center Belgrade, july 2017

  • < 7 / 54 >

    Laura Gozlan, Physical Self, 2017
    Video Installation In situ
    Video 16:9, color, sound, 11mn

  • < 8 / 54 >

    Laura Gozlan, Physical Self, 2017
    Video Installation In situ
    Video 16:9, color, sound, 11mn

  • < 9 / 54 >

    Laura Gozlan, Physical Self, 2017
    Video Installation In situ
    Video 16:9, color, sound, 11mn

  • < 10 / 54 >

    Laura Gozlan, Physical Self, 2017
    Video Installation In situ
    Video 16:9, color, sound, 11mn

  • < 11 / 54 >

    Laura Gozlan, Physical Self, 2017
    Video Installation In situ
    Video 16:9, color, sound, 11mn

  • < 12 / 54 >

    Laura Gozlan, Inners Chains #5, 2017
    PMMA tubes, epoxy resin, swim bladders,
    ginseng, dried octopus, dvi cable, usb cables,
    aluminum, batteries.
    110 x 10 x 7 cm. Unique

  • < 13 / 54 >

    Exhibition view of « Laura Gozlan – physical self »
    at Galerie Escougnou-Cetraro, Paris, 2017

  • < 14 / 54 >

    Laura Gozlan, Inners Chains and Breathing Skins, 2017

  • < 15 / 54 >

    Laura Gozlan, Breathing Skins, 2017.
    Epoxy resin, fiberglass, polyester resin, foam
    extruded, 5/4 screen, multimedia player, stereo speakers.
    Video, sound, color, loop 3mn.
    58 x 48 x 22 cm. Uniques

  • < 16 / 54 >

    Laura Gozlan, Sensorium, 2017
    Palm wax, microcrystalline, epoxy resin, canvas
    glass, dyes, pmma tube, epoxy resin, swimming
    bladders, ginseng, dried octopus, Ethernet cable,
    aluminum tube, clamp, wood, resin.
    220 x 43 x 62 cm. Unique

  • < 17 / 54 >

    Exhibition view of « Laura Gozlan – physical self »
    Galerie Escougnou-Cetraro, Paris, 2017

  • < 18 / 54 >

    Laura Gozlan, Inners Chains, 2017
    PMMA tubes, epoxy resin, swim bladders,
    ginseng, dried octopus, dvi cable, usb cables,
    aluminum, batteries.
    110 x 10 x 7 cm. Unique

  • < 19 / 54 >

    Laura Gozlan, Skinny Dip Unsensory, 2015.
    Video Installation.
    Video loop 20’.
    Group show “Au-delà de l’image”,
    Galerie Escougnou-Cetraro, Paris.

  • < 20 / 54 >

    Laura Gozlan, Skinny Dip Unsensory, 2015.
    Video Installation.
    Video loop 20’.
    Group show “Au-delà de l’image”,
    Galerie Escougnou-Cetraro, Paris.

  • < 21 / 54 >

    Laura Gozlan, Skinny Dip Unsensory, 2015. Detail.
    Video Installation.

  • < 22 / 54 >

    Laura Gozlan, Skinny Dip Unsensory, 2015. Detail.
    Video Installation.

  • < 23 / 54 >

    Laura Gozlan, Skinny Dip Unsensory, 2015.
    Video Installation.
    Video loop 20’.
    Group show “Au-delà de l’image”,
    Galerie Escougnou-Cetraro, Paris.

  • < 24 / 54 >

    Laura Gozlan,The Sceptical Chymist, 2015.
    Installation.
    Stearic wax, chain, wood, tapestry.
    Variable dimensions.
    View of the exhibition “Radical Software”,
    Galerie Alain Gutharc.
    Curator : Pedro Morais.

  • < 25 / 54 >

    Laura Gozlan, A Mirror Darkly, 2015.
    Window stickers, printed scan on vinyl adhesive.
    216 cm x 135 cm.
    View of the exhibition “Indeterminate Chymistry”,
    Galerie In extenso, Clermont-Ferrand, 2015.
    Curator : Annabel Rioux.

  • < 26 / 54 >

    Laura Gozlan, A Mirror Darkly, 2015. Détail.
    Window stickers, printed scan on vinyl adhesive.
    216 cm x 135 cm.

  • < 27 / 54 >

    Laura Gozla, Through the Silver Globe, 2015.
    Video installation.
    Video loop 11’
    Variable dimensions.
    View of the exhibition “Indeterminate Chymistry”,
    Galerie In extenso, Clermont-Ferrand, 2015.
    Curator : Annabel Rioux

  • < 28 / 54 >

    Laura Gozla, Through the Silver Globe, 2015.
    Video installation
    Video loop 11’
    Variable dimensions
    View of the exhibition “Indeterminate Chymistry”,
    Galerie In extenso, Clermont-Ferrand, 2015.
    Curator : Annabel Rioux

  • < 29 / 54 >

    Laura Gozla, Through the Silver Globe, 2015. Detail.
    Video installation
    Video loop 11’
    Variable dimensions

  • < 30 / 54 >

    Laura Gozla, Emporio Chimic, 2015.
    Stearic wax, foam, wood, paper.
    280 cm × 285 cm × 35 cm.
    View of the exhibition “Indeterminate Chymistry”,
    Galerie In extenso, Clermont-Ferrand, 2015.
    Curator : Annabel Rioux

  • < 31 / 54 >

    Laura Gozla, Emporio Chimic, 2015.
    Stearic wax, foam, wood, paper.
    280 cm × 285 cm × 35 cm.
    View of the exhibition “Indeterminate Chymistry”,
    Galerie In extenso, Clermont-Ferrand, 2015.
    Curator : Annabel Rioux

  • < 32 / 54 >

    Laura Gozlan, Planck Wrap, 2015.
    Glass, mylar, foam, stearic wax.
    60 cm x 30 cm x 25 cm.

  • < 33 / 54 >

    Laura Gozlan, Fingers, 2015.
    Projection on awning.
    150 cm x 80 cm x 5 cm.
    View of the exhibition “Vicarious”
    Vivarium, Rennes.
    Curator : Sandra Doublet for MPvite.
    Picture credit : Nyima Leray.

  • < 34 / 54 >

    Laura Gozlan, A Paura, 2015.
    Video installation.
    Video loop 12’, variable dimensions.
    View of the exhibition “Vicarious”,
    Vivarium, Rennes, 2015.
    Curator : Sandra Doublet for MPvite.

  • < 35 / 54 >

    Laura Gozlan, A Paura, 2015.
    Video installation.
    Video loop 12’, variable dimensions.
    View of the exhibition “Vicarious”,
    Vivarium, Rennes, 2015.
    Curator : Sandra Doublet for MPvite.

  • < 36 / 54 >

    Laura Gozlan, A Paura, 2015.
    Video installation.
    Video loop 12’, variable dimensions.
    View of the exhibition “Vicarious”,
    Vivarium, Rennes, 2015.
    Curator : Sandra Doublet for MPvite.

  • < 37 / 54 >

    Laura Gozlan, Remote Viewing, 2014.
    Video installation,
    Video loop 16’. 252 x 160 x 120 cm.
    View of the exhibition “Ce qui Manque”,
    La Panacée, Montpellier, 2014.
    Curator : Thierry Fournier.

  • < 38 / 54 >

    Laura Gozlan, Remote Viewing, 2014.
    Video installation. Detail.
    Video loop 16’.
    252 x 160 x 120 cm

  • < 39 / 54 >

    Laura Gozlan, Remote Viewing, 2014.
    Video installation. Detail.
    Video loop 16’.
    252 x 160 x 120 cm

  • < 40 / 54 >

    Laura Gozlan, Remote Viewing, 2014.
    Video installation. Detail.
    Video loop 16’.
    252 x 160 x 120 cm

  • < 41 / 54 >

    Laura Gozlan, The talking apparatus and the bookshelf, 2014.
    Performance.
    Video projection, Microphone, 30’.
    View of the performance during “Die Nacht der philosophie”,
    Institut français, Berlin, 2014
    Curator : Mériam Korichi

  • < 42 / 54 >

    Laura Gozlan, A Thousand Miles Below, in collaboration with Benjamin Laurent Aman.
    View of the exhibition “Vertiges”, Micro Onde
    Vélizy-Villacoublay
    Curators : Sophie Auger and Marie Frampier.
    Pictures credits : A. Mole.

  • < 43 / 54 >

    Laura Gozlan, A Thousand Miles Below, 2014. In collaboration with Benjamin Laurent Aman.
    Copper foil, balsa, cardboard, paper, led, cement, pigments.
    140 x 45 x 80 cm.
    Picture credits : A. Mole.

  • < 44 / 54 >

    Laura Gozlan, A Thousand Miles Below, 2014. In collaboration with Benjamin Laurent Aman.
    Copper foil, balsa, cardboard, paper, led, cement, pigments.
    140 x 45 x 80 cm.
    Picture credits : A. Mole.

  • < 45 / 54 >

    View of the exhibition “Vertiges”, Micro Onde,
    Centre d’art contemporain de l’Onde,
    Vélizy‑Villacoublay, 2014

  • < 46 / 54 >

    Laura Gozlan, Hercules Mirrors 3, 2014.
    Projection on glass plate, metallic polyester film, stearic wax
    Variable dimensions

  • < 47 / 54 >

    Laura Gozlan, Hercules Mirrors 3, 2014.
    Projection on glass plate, metallic polyester film, stearic wax
    Variable dimensions

  • < 48 / 54 >

    Laura Gozlan, view of the exhibition “The Foreseeable Future”
    Galerie Florence Leoni, Paris, 2014

  • < 49 / 54 >

    Laura Gozlan, view of the exhibition “The Foreseeable Future”
    Galerie Florence Leoni, Paris, 2014.
    Picture credits : Paul Hadrien

  • < 50 / 54 >

    Laura Gozlan, Pollice Verso 2, 2013.
    Sculpture.
    Stearic wax, polyurethan foam.
    160cm x 125 cm x 60cm.
    View of the exhibition “The Foreseeable Future”,
    Galerie Florence Leoni, Paris, 2014.
    Picture credits : Paul Hadrien

  • < 51 / 54 >

    Laura Gozlan, Translation par les modèles, 2012. Facsimile, 11 documents.
    View of the exhibition “The Foreseeable Future”,
    Galerie Florence Leoni, Paris, 2014.
    Picture credits : Paul Hadrien

  • < 52 / 54 >

    Laura Gozlan, Translation par les modèles, 2012.
    Facsimile, 11 documents.
    Picture credits : Paul Hadrien

  • < 53 / 54 >

    Laura Gozlan, Matres Suspiria, 2012.
    Sculpture.
    Stearic was, tapestry, dagger, ceramic cup, artificial blood.
    Variable dimensions

  • < 54 / 54 >

    Laura Gozlan, Matres Suspiria, 2012.
    Sculpture. Detail.
    Stearic was, tapestry, dagger, ceramic cup, artificial blood.
    Variable dimensions